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Year 4 - Music

Combining taals and raags

Compose and Create: improvising within Hindustani classical music

Unit Summary

This unit explores the three main components of Hindustani classical music. Pupils hear rhythmic patterns played on the tabla drums and learn how to recite a taal using the spoken mnemonic syllables (bols). They create texture by adding an improvised raag using five notes, and finally add a drone.

Lesson Summary

You will learn to play and sing a melody in time to a rhythm cycle.

Key Notes

  • We can develop the texture of our piece by layering the taal and the raag.
  • The bols and the claps of the taal are a steady pulse we can layer a raag over.
  • We can add the raag by singing a melody and playing improvisations that use the notes of the raag.
  • The taal and raag don't have to start at the same time. A raag can start halfway through the rhythm cycle.

Vocabulary To Learn

  • taal: a rhythm cycle that measures musical time in Indian music
  • raag: a series of notes that inspire a composition (from Sanskrit language meaning 'to colour')
  • bol: a spoken syllable used to recite the rhythm (from 'bolna', the Hindi word for 'speak'.
  • texture: the combination of different layers of sounds

Common Mistakes To Avoid

  • The taal and raag begin and end at the same time.

3 Quick Questions (With Answers)

1. Explain the lesson in two key points.

We can develop the texture of our piece by layering the taal and the raag. The bols and the claps of the taal are a steady pulse we can layer a raag over.

2. What does this key word mean in this lesson? 'taal'

a rhythm cycle that measures musical time in Indian music.

3. Correct this common mistake.

Mistake: The taal and raag begin and end at the same time. Correction: A raag can start and end at any point in the rhythm cycle.

More Lessons In This Unit

Browse all guides in the Year 4 Music guide library.