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Year 8 - English

Organising our gothic writing to build tension

A monster within: reading and writing Gothic fiction

Unit Summary

In this unit, pupils explore the Gothic. They start by learning what the Gothic is, before reading extracts from 'Frankenstein' and 'Jane Eyre', practising descriptive writing and reading 'The Tell-Tale Heart'. They finally learn how to write opinion articles and then write their own.

Lesson Summary

You will learn to structure your piece of gothic writing to build tension.

Key Notes

  • It is important to create tension in Gothic writing because it keeps your reader in a state of anticipation.
  • Keeping the reader in a state of anticipation makes reading the text a thrilling experience for the reader.
  • You can build tension by delaying revealing key information, switching focus or ending with a cliff-hanger.
  • Fronted adverbials tell us the way in which something is done.
  • Fronted adverbials can be used to build tension.

Vocabulary To Learn

  • structure: the way a text is organised - what comes where and why
  • tension: the mental strain a reader is put under because of their suspicion that something bad is about to happen
  • strain: a state of tension or pressure
  • suspense: feeling anxious or excited about what may happen
  • aghast: filled with horror or shock

Common Mistakes To Avoid

  • Pupils often reveal things early-on in descriptions by saying things like 'it was a painting' and then proceeding to describe it.

3 Quick Questions (With Answers)

1. Explain this English learning goal in two key points.

It is important to create tension in Gothic writing because it keeps your reader in a state of anticipation. Keeping the reader in a state of anticipation makes reading the text a thrilling experience for the reader.

2. Define this language term and use it in a sentence. 'structure'

the way a text is organised - what comes where and why.

3. Correct this common English misunderstanding.

Mistake: Pupils often reveal things early-on in descriptions by saying things like 'it was a painting' and then proceeding to describe it. Correction: It can be much more effective to describe your narrator's view before revealing what the view actually is. This way, the reader is kept in a state of anticipation, as they try to work out what the view is.

More Lessons In This Unit

Browse all guides in the Year 8 English guide library.